Why do we love our favorite stories? Do they need a beginning, middle and end, and a character who changes by the conclusion? Masters of storytelling explore new answers to age-old questions of the craft.
        
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| 1 | J.J. Abrams' mystery box 18:02 | 
                                J.J. Abrams traces his love for the unseen mystery –- a passion that’s evident in his films and TV shows, including Cloverfield, Lost and Alias -- back to its magical beginnings.
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| 2 | Scott McCloud on comics 17:39 | 
                                In this unmissable look at the magic of comics, Scott McCloud bends the presentation format into a cartoon-like experience, where colorful diversions whiz through childhood fascinations and imagined futures that our eyes can hear and touch.
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| 3 | Tales of passion 17:56 | 
                                Author and activist Isabel Allende discusses women, creativity, the definition of feminism -- and, of course, passion -- in this talk.
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| 4 | The clues to a great story 19:17 | 
                                Filmmaker Andrew Stanton ("Toy Story," "WALL-E") shares what he knows about storytelling -- starting at the end and working back to the beginning. (Contains graphic language ...)
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| 5 | The danger of a single story 19:16 | 
                                Our lives, our cultures, are composed of many overlapping stories. Novelist Chimamanda Adichie tells the story of how she found her authentic cultural voice -- and warns that if we hear only a single story about another person or country, we risk a critical misunderstanding.
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| 6 | The politics of fiction 19:45 | 
                                Listening to stories widens the imagination; telling them lets us leap over cultural walls, embrace different experiences, feel what others feel. Elif Shafak builds on this simple idea to argue that fiction can overcome identity politics.
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