Why do we love our favorite stories? Do they need a beginning, middle and end, and a character who changes by the conclusion? Masters of storytelling explore new answers to age-old questions of the craft.
| # | Título | Descrição | |||
|---|---|---|---|---|---|
| 1 |
J.J. Abrams' mystery box
18:03
|
J.J. Abrams traces his love for the unseen mystery –- a passion that’s evident in his films and TV shows, including Cloverfield, Lost and Alias -- back to its magical beginnings.
|
Ver | ||
| 2 |
Scott McCloud on comics
17:40
|
In this unmissable look at the magic of comics, Scott McCloud bends the presentation format into a cartoon-like experience, where colorful diversions whiz through childhood fascinations and imagined futures that our eyes can hear and touch.
|
Ver | ||
| 3 |
Tales of passion
17:56
|
Author and activist Isabel Allende discusses women, creativity, the definition of feminism -- and, of course, passion -- in this talk.
|
Ver | ||
| 4 |
The clues to a great story
19:17
|
Filmmaker Andrew Stanton ("Toy Story," "WALL-E") shares what he knows about storytelling -- starting at the end and working back to the beginning. (Contains graphic language ...)
|
Ver | ||
| 5 |
The danger of a single story
19:17
|
Our lives, our cultures, are composed of many overlapping stories. Novelist Chimamanda Adichie tells the story of how she found her authentic cultural voice -- and warns that if we hear only a single story about another person or country, we risk a critical misunderstanding.
|
Ver | ||
| 6 |
The politics of fiction
19:45
|
Listening to stories widens the imagination; telling them lets us leap over cultural walls, embrace different experiences, feel what others feel. Elif Shafak builds on this simple idea to argue that fiction can overcome identity politics.
|
Ver |