The genius puppetry behind War Horse
"Puppets always have to try to be alive," says Adrian Kohler of the Handspring Puppet Company, a gloriously ambitious troupe of human and wooden actors. Beginning with the tale of a hyena's subtle paw, puppeteers Kohler and Basil Jones build to the story of their latest astonishment: the wonderfully life-like Joey, the War Horse, who trots (and gallops) convincingly
[ . . . ]
Sarah Jones as a one-woman global village
In this hilariously lively performance, actress Sarah Jones channels an opinionated elderly Jewish woman, a fast-talking Dominican college student and more, giving TED2009 just a sample of her spectacular character range.
Four American characters
Writer and actor Anna Deavere Smith gives life to author Studs Terkel, convict Paulette Jenkins, a Korean shopkeeper and a bull rider, excerpts from her solo show "On the Road: A Search for American Character."
Happiness in body and soul
Eve Ensler, creator of "The Vagina Monologues," shares how a discussion about menopause with her friends led to talking about all sorts of sexual acts onstage, waging a global campaign to end violence toward women and finding her own happiness.
Building a theater that remakes itself
Joshua Prince-Ramus believes that if architects re-engineer their design process, the results can be spectacular. In his talk, he walks us through his fantastic re-creation of the local Wyly Theater as a giant "theatrical machine" that reconfigures itself at the touch of a button. (Filmed at TEDxSMU.)
Natasha Tsakos' multimedia theatrical adventure
Natasha Tsakos presents part of her one-woman, multimedia show, "Upwake." As the character Zero, she blends dream and reality with an inventive virtual world projected around her in 3D animation and electric sound.
Liz Diller plays with architecture
In this engrossing EG talk, architect Liz Diller shares her firm DS+R's more unusual work, including the Blur Building, whose walls are made of fog, and the revamped Alice Tully Hall, which is wrapped in glowing wooden skin.
Why women should tell the stories of humanity
For many centuries (and for many reasons) critically acclaimed creative genius has generally come from a male perspective. As theater director Jude Kelly points out in this passionately reasoned talk, that skew affects how we interpret even non-fictional women's stories and rights. She thinks there's a more useful, more inclusive way to look at the world, and she
[ . . . ]