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18:19
653 170

The genius puppetry behind War Horse

"Puppets always have to try to be alive," says Adrian Kohler of the Handspring Puppet Company, a gloriously ambitious troupe of human and wooden actors. Beginning with the tale of a hyena's subtle paw, puppeteers Kohler and Basil Jones build to the story of their latest astonishment: the wonderfully life-like Joey, the War Horse, who trots (and gallops) convincingly
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21:00
587 838

Sarah Jones as a one-woman global village

In this hilariously lively performance, actress Sarah Jones channels an opinionated elderly Jewish woman, a fast-talking Dominican college student and more, giving TED2009 just a sample of her spectacular character range.
23:50
107 135

Four American characters

Writer and actor Anna Deavere Smith gives life to author Studs Terkel, convict Paulette Jenkins, a Korean shopkeeper and a bull rider, excerpts from her solo show "On the Road: A Search for American Character."
21:11
74 212

Happiness in body and soul

Eve Ensler, creator of "The Vagina Monologues," shares how a discussion about menopause with her friends led to talking about all sorts of sexual acts onstage, waging a global campaign to end violence toward women and finding her own happiness.
18:58
39 843

Building a theater that remakes itself

Joshua Prince-Ramus believes that if architects re-engineer their design process, the results can be spectacular. In his talk, he walks us through his fantastic re-creation of the local Wyly Theater as a giant "theatrical machine" that reconfigures itself at the touch of a button. (Filmed at TEDxSMU.)
15:12
26 342

Natasha Tsakos' multimedia theatrical adventure

Natasha Tsakos presents part of her one-woman, multimedia show, "Upwake." As the character Zero, she blends dream and reality with an inventive virtual world projected around her in 3D animation and electric sound.
19:24
18 688

Liz Diller plays with architecture

In this engrossing EG talk, architect Liz Diller shares her firm DS+R's more unusual work, including the Blur Building, whose walls are made of fog, and the revamped Alice Tully Hall, which is wrapped in glowing wooden skin.
13:27
352

Why women should tell the stories of humanity

For many centuries (and for many reasons) critically acclaimed creative genius has generally come from a male perspective. As theater director Jude Kelly points out in this passionately reasoned talk, that skew affects how we interpret even non-fictional women's stories and rights. She thinks there's a more useful, more inclusive way to look at the world, and she
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